The Blues - The Authentic Narrative of My Music and Culture
Chris Thomas King
Unabridged
23 hours 58 minutes
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Unabridged
23 hours 58 minutes
Some articles contain affiliate links (marked with an asterisk *). If you click on these links and purchase products, we will receive a small commission at no extra cost to you. Your support helps to keep this site running and to continue creating useful content. Thank you for your support!
From the publisher
All prior histories on the blues have alleged it originated on plantations in the Mississippi Delta. Not true, says author Chris Thomas King. In The Blues, King presents facts to disprove such myths. For example, as early as 1900, the sound of the blues was ubiquitous in New Orleans. The Mississippi Delta, meanwhile, was an unpopulated sportsman's paradise-the frontier was still in the process of being cleared and drained for cultivation. Moreover, this book is the first to argue that the blues began as a cosmopolitan art form, not a rural one. Protestant states such as Mississippi and Alabama could not have incubated the blues. New Orleans was the only place in the Deep South where the sacred and profane could party together without fear of persecution. Expecting these findings to be controversial in some circles, King has buttressed his conclusions with primary sources and years of extensive research, including a sojourn to West Africa and interviews with surviving folklorists and blues researchers from the 1960s folk-rediscovery epoch. They say the blues is blasphemous-the devil's music. King says they're unenlightened, that blues music is about personal freedom.
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