Cover

Notes from Underground

Fyodor Dostoyevsky

Onverkort 9782291972723
4 uur 27 minuten
Sommige artikelen bevatten affiliate links (gemarkeerd met een sterretje *). Als je op deze links klikt en producten koopt, ontvangen we een kleine commissie zonder extra kosten voor jou. Uw steun helpt ons deze site draaiende te houden en nuttige inhoud te blijven maken. Hartelijk dank voor uw steun!

Van de uitgever

Notes from Underground also translated as Notes from the Underground or Letters from the Underworld) is a novella by Fyodor Dostoevsky, first published in the journal Epoch in 1864. It is a first-person narrative in the form of a 'confession': the work was originally announced by Dostoevsky in Epoch under the title 'A Confession'. The novella presents itself as an excerpt from the memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. Although the first part of the novella has the form of a monologue, the narrator's form of address to his reader is acutely dialogized. According to Mikhail Bakhtin, in the Underground Man's confession 'there is literally not a single monologically firm, undissociated word'. The Underground Man's every word anticipates the words of an other, with whom he enters into an obsessive internal polemic.
Van de uitgever
Notes from Underground also translated as Notes from the Underground or Letters from the Underworld) is a novella by Fyodor Dostoevsky, first published in the journal Epoch in 1864. It is a first-person narrative in the form of a 'confession': the work was originally announced by Dostoevsky in Epoch under the title 'A Confession'. The novella presents itself as an excerpt from the memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. Although the first part of the novella has the form of a monologue, the narrator's form of address to his reader is acutely dialogized. According to Mikhail Bakhtin, in the Underground Man's confession 'there is literally not a single monologically firm, undissociated word'. The Underground Man's every word anticipates the words of an other, with whom he enters into an obsessive internal polemic.
Label
Publicatiedatum
09-02-2025

NTMC