Out of Mesopotamia
Salar Abdoh
Unabridged
6 hours 12 minutes
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Unabridged
6 hours 12 minutes
Some articles contain affiliate links (marked with an asterisk *). If you click on these links and purchase products, we will receive a small commission at no extra cost to you. Your support helps to keep this site running and to continue creating useful content. Thank you for your support!
From the publisher
Saleh Abdoh, the narrator of Out of Mesopotamia, is a middle-aged Iranian journalist who moonlights as a writer for one of Iran's most popular TV shows, but cannot keep himself away from the front lines in neighboring Iraq and Syria. There, the fight against the Islamic State is a proxy war, an existential battle, a declaration of faith, and, for some, a passing weekend affair.
After weeks spent dodging RPGs and witnessing acts of savagery and stupidity, Saleh returns to his civilian life of Tehran bookstore readings and trendy art openings and finds it to be an unbearably dislocating experience. Pursued by the woman who broke his heart, his official handler from state security (who wants him for questioning over a suspicious volume of Proust), and the screenwriters with whom he is supposed to be collaborating, Saleh has reason to flee again from everyday life-but not necessarily to discard it. Surrounded by men whose willingness to achieve martyrdom both fascinates and appalls him, Saleh struggles to make sense of himself and the turmoil that surrounds him.
An unprecedented glimpse into the fight against the Islamic State from a Middle Eastern perspective, Out of Mesopotamia follows in the tradition of the Western canon of martial writers, but then subverts and expands upon it before completely blowing it apart. Drawing on firsthand experience, it gives agency to the voiceless while offering a meditation on war that is moving, humane, darkly funny, and resonantly true.
After weeks spent dodging RPGs and witnessing acts of savagery and stupidity, Saleh returns to his civilian life of Tehran bookstore readings and trendy art openings and finds it to be an unbearably dislocating experience. Pursued by the woman who broke his heart, his official handler from state security (who wants him for questioning over a suspicious volume of Proust), and the screenwriters with whom he is supposed to be collaborating, Saleh has reason to flee again from everyday life-but not necessarily to discard it. Surrounded by men whose willingness to achieve martyrdom both fascinates and appalls him, Saleh struggles to make sense of himself and the turmoil that surrounds him.
An unprecedented glimpse into the fight against the Islamic State from a Middle Eastern perspective, Out of Mesopotamia follows in the tradition of the Western canon of martial writers, but then subverts and expands upon it before completely blowing it apart. Drawing on firsthand experience, it gives agency to the voiceless while offering a meditation on war that is moving, humane, darkly funny, and resonantly true.
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